'Singularidades de uma rapariga loura' means something like 'Peculiar aspects of a blond girl'.ĭescription Four versions of the same story, first in the perspective of a theatre play, second in the perspective of a silent film, third in the perspective of a film of the 50s and finally in a biblical philosophical perspective. The word 'rapariga' has nothing to do with hooker, or 'girl with bad behaviour', or naughty girl. He produced Manoel de Oliveiras last two films (Gebo e a Sombra and O Velho do Restelo - short). In the north of Portugal, the word menina is more widely used as girl. Ferreira, Eugene Green, Manuel Mozos, among others. Girl in Brazil is rather 'menina', which is also used in Portugal either as an old fashioned polite word or to describe a very young girl. However, if the word plainly means 'girl' in Portugal, in Brazil it means something like a naughty girl or even a prostitute. Google has many special features to help you find exactly what you're looking for. With Lima Duarte, Lus Miguel Cintra, Ricardo Trpa, Miguel Guilherme. Search the world's information, including webpages, images, videos and more.
Ha ha ha As I said once, 'rapariga' means girl in Portuguese. Palavra e Utopia: Directed by Manoel de Oliveira. Manoel de Oliveira – Acto da Primavera AKA Rite of Spring (1963). Unless you are a fan of Portuguese history or moral preaching, you should avoid this film.Quote: Oliveira returned to the center of Portugal's film scene in the 1960s. Father Viera's historic character seems to have been important (kind of a Thomas More of his country and time), and he would have deserved a better film. I am not very familiar with Portuguese history. He first began making films in 1927, when he and some friends attempted to make a film about World War I.
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Acting is good, but it does not help when all the rest of the movie is so boringly didactic. Manoel Cndido Pinto de Oliveira GCSE GCIH (Portuguese: mnu dolivj 11 December 1908 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto. None of the rules of cinema fiction seem to be applied to create what a good film is about - emotion, identification with the characters, communicating the ideas in an artistic manner. Rather, I would call it a fiction, with all the premises this will allow.' Actually it looks like a combination of the worst of the above.
According to the official site - '"Palavra e Utopia" cannot be classified as a documentary, a biography, or a historical or didactic film, despite its chronological format.
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What a disappointment! The movie is so static, full of completely still scenes serving as background for human rights preaching in Catholic language. Stars: Nicolau Nunes da Silva, Ermelinda Pires, Maria Madalena. This was probably my first Portuguese movie, and it was made more promising as the imdb information was pointing to the director Manoel de Oliveira as to a veteran of the Portuguese cinema, some kind of a Bunuel of Portugal. In Acto da Primavera, Oliveira offers a version of a popular representation of the Passion of Christ, enacted by members of a rural community in northern Portugal, derived from the Auto da Paixão de Jesus Cristo (1559), by Francisco Vaz de Guimarães.
I like exploring new cinematographic territories, and I have been rewarded with many of the finest movies that I have ever seen. I am usually glad when my channel programming allows seeing something else than the usual American stuff. This was a poor choice for my Friday night viewing.
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